INTERVIEW: Adil Jussawalla

In the latest of our candid interviews with PEN members past and present, Adil Jussawalla discusses with Laetitia Zecchini the political and cultural climate of 70s Bombay; the Bombay PEN Center under Nissim Ezekiel’s leadership; his own relationship with the PEN All-India Center and with Nissim; the controversy surrounding Salman Rushdie’s Satanic Verses and Ezekiel’s controversial support of the ban; the Cultural Cold War, the ideological factions in the Bombay of the 60s and 70s and its publishing scene; the Indian Congress for Cultural Freedom (ICCF), The Indian PEN, Quest, Playboy and the “corner-lending libraries” of the city; the particular status and position of Indian poetry / literature in English; the specific predicaments in which free speech, writers and writers’ organisations find themselves in India; the power(lessness) of words and writers’ organizations…

AdilJussawalla was a somewhat reluctant PEN member but one who was present during some of PEN-India’s most important moments: ‘I was never really involved with PEN, except in the ways that I do get involved, by thrusting some advice on Nissim, unwanted advice perhaps, or suggesting some things. But I felt that Nissim was open to suggestions.

‘I must have been visiting Nissim there, in his PEN office, even before the 70s. Quite frankly I must say that I went to the PEN office because of Nissim, to be able to have a conversation with him for a brief while.’

Jussawalla also feels that the history of Indian PEN shows often an organisation reluctant to take a stance on certain key political issues, particularly within India itself:

‘I don’t think there were no statements at all in the history of the PEN All-India Center.  But the people in charge really felt that it’s not their business to talk about these issues.”

Describing himself as a left liberal, Jussawalla describes his own meanderings through the political world of Bombay during the 1970s and 1980s and the ways in which this sometimes brought him into disagreements with key members of All-India PEN.

Speaking of Ezekiel’s support of India’s ban on Rushdie’s novel, Jussawalla points out the extent to which this undermined both his and the organisation’s previous stance on free expression: ‘But I think what distressed and disturbed Nissim’s friends and others is that they felt that at least he should have come out and said that this is his personal opinion and does not reflect the views of PEN.

‘Otherwise, he should have stepped down from PEN. And he didn’t. But you see, such is the climate here, Laetitia, that his sacrifice if he had stepped down from PEN would have meant nothing. Because whoever would have taken his place would have believed in the same thing.’

However, he remains ambivalent about freedom of expression, as a deeply complex idea:

‘I might even say that I sympathize with Nissim’s position or with the dilemma he was in. I would be in a similar dilemma. I do not believe in an absolute right to free speech which would never be relativized. This is a human thing.

‘There are certain unwritten codes of behaviour in a society. See, I would not like to say that I am the kind of person who will tell a woman what to wear or not to wear. But I would say that there are certain occasions in this country that you do not dress as freely as you would like to.’

Interview with Adil Bombay February 2018

 

 

 

 

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